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  E-mail Message: I thought you might be interested in this item at http://umaryland.worldcat.org/oclc/950751037 Title: Stravinsky's "Great passacaglia" : recurring elements in the concerto for piano and wind instruments Author: Donald G Traut Publisher: Rochester, NY : University of Rochester Press, 2016. ©2016 ISBN/ISSN: 9781580465137 1580465137 OCLC:950751037

  
  

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Subjects

• Stravinsky, Igor, -- 1882-1971. -- Concertos, -- piano, instrumental ensemble.
• Concertos (Stravinsky, Igor)
• Stravinsky, Igor -- 1882-1971 -- Konzerte -- Kl -- Orch
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Similar Items

Stravinsky's "Great passacaglia" : recurring elements in the concerto for piano and wind instruments

Author:	Donald G Traut
Publisher:	Rochester, NY : University of Rochester Press, 2016. ©2016
Series:	Eastman studies in music, v. 134.
Edition/Format:	Print book : EnglishView all editions and formats
Summary:	The first full-length analytic study devoted to the Concerto for Piano and Wind Instruments, combining sketch studies, musicological context, and straightforward analyses of all three movements. Stravinsky's "Great Passacaglia" marks the first full-length analytic study devoted to the Concerto for Piano and Wind Instruments, an important neoclassic piece composed by one of the most influential composers of the twentieth century. Donald Traut examines the complex significance of this piece for Stravinsky and his contemporaries. For the composer, the Concerto was both a major artistic accomplishment in his burgeoning neoclassic style and a vehicle for financial gain as a touring soloist, an endeavor that took him throughout Europe and was instrumental in bringing him to America for the first time. For many of Stravinsky's critics it came to represent all that was wrong with his new style, while for others it pointed the way forward through the past, taking on an important role in the Bach revival of the 1920s. By combining sketch studies, musicological context, and straightforward analyses of all three movements, the book paints a comprehensive picture of the piece's creation, impact, and structure that will be of interest not only to musicologists and music theorists, but to pianists, conductors, and concert-goers as well [Publisher description]  Read more...