| Inhalt: |
Mirror for pre-war America - "Stagecoach" and the Western, 1939-1941; puritan paradigms - "My Darling Clementine" and "Duel in the Sun"; "The Lonely Crowd", Catholicism and consensus on the prairie - "Red River", "Fort Apache" and "She Wore a Yellow Ribbon"; dysfunctional family structures in classic westerns, 1950-1961 - "The Gunfighter", "Shane", "The Searchers" and "The Last Sunset"; politics and codes of masculinity in late 1950s star westerns - "The Big Country" and "Warlock"; "No More West to Win" - "How the West Was Won" and the elegiac westerns of 1962; a genre in flux, a nation in turmoil - the Vietnamization of the western in mid-1960s America; receding frontiers, narrowing options - "The Wild Bunch" and the western in Richard Nixon's America; legends revisited, legends revised in "Bicentennial Westerns" - "Buffalo Bill and the Indians", "The Outlaw Josey Wales" and "The Shootist". |
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